Melanie Honebone - Translocation Dislocation (words by Maria Woodford)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

A truncated mini monument sits high upon the hill, a new deity ready for her worshippers. Our very own Gower Goddess Melanie Honebone is the creator, the artist who specialises is dissecting the world and then putting it back together, always with new narratives and insights. Our First Responder today is an exciting debutant for CollectConnect, writer and photographer Maria Woodford. Read her contribution below.

Melanie Honebone

First Responder: Maria Woodford

view from the hillside

a mid autumn morning. the patchwork fields unfurl like
a ribbon wound endlessly from a single spool. onwards
and onwards and onwards. from here, she watches
with a wide myopic stare - the jigsaw of farms and houses,
the clouds matted in their thick grey knot. she
feels that the town must still be sleeping. (she hears
that the birds are long awoken.) in the middle distance,
a clock chimes an uncertain hour. but still:
her eyelids never
flicker. 

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Melanie Honebone is a Wales-based fine artist. She often works in series, providing visual responses to external stimuli such as literature, science, and music. Melanie openly describes herself as a ‘renegade arts experimentalist’ and is happy dabbling in anything that pushes her work to the limit and broadens her own potential. In her spare time she produces music videos and photography for Stone Letter Media, is attempting to learn Welsh, and likes to stroke cats.
https://melaniehonebone.wordpress.com/

Photographer and writer Maria Woodford was recently one of only five poets shortlisted for the  Telegraph Poetry Prize in 2024. A graduate of Trinity College, Cambridge in 2022 she has been a performer on the London poetry circuit from a young age, including at the Poetry Society.

Alban Low - Translocation Dislocation (words by Lucy Furlong)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

Living in the cracks, lurking in the spaces left behind, Alban Low's crackmen are now starting to emerge from the shadows. Words are by artist and poet Lucy Furlong, read them below.

Alban Low

First Responder: Lucy Furlong

Caught between
the cracks/ hiding behind/
out of view/ habitat
rusty ironwork/ graffiti
decorated edges/ the back
of beyond/ underneath,
the beside/ out of view/
the unlooked for/ unspoken
place/ the soundless house/
the edge of life/ the edge of
the park/ hanging on/ hanging
out/ caught between the cracks/
sliding/ sticking and catching
in the awkward spaces/ dis-placed
but still there/ hiding in plain site/
forgotten/ disregarded/ unseen
on purpose/ un-looked for
on purpose/ falling and caught
in the cracks in-between/
stuck in the empire of in-between/
dis-placed in full view/ un-viewed
in dis------------------------------place,
spirits of uproot and unkempt

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Alban Low is an artist and illustrator, working in a signature graphic style for album covers and specialising in impromptu portraits of jazz musicians. He currently presents the JazzLondLive radio show on Brooklands Radio.

http://albanlow.com/

The writing journey of Lucy Furlong has taken her from signing a record deal aged 19, as a singer and lyricist in a band, to a stint in corporate communications working on in-house publications in the 1990s and early 2000s. She attained a degree in creative writing and journalism at Kingston University, and then a MFA in creative writing, specialising in poetry, alongside a Post Graduate Certificate in Learning and Teaching in Higher Education (PGCLTHE). Lucy has published and performed poetry for over a decade, and her work is taught as part of the Open University MA in Creative Writing.

Ian Parker-Translocation Dislocation (words by Ros Taylor)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

Todays art work provides remembrance, distance and transformation through the acts of walking and writing. Ian Parker's video records a walk around a large ‘pond’, a crater left from the detonation of 70,000 pounds of high explosives under 'The Caterpillar' in the Battle of Messines on June 7, 1917. 

Ian Parker

Ian tells us that the trip to the crater was made at the height of Brexit, after the vote but before the UK left the EU. Knowing what was coming, freely crossing borders felt like a poignant and melancholy act. Ian's video is viewed over Bryan's shoulder as he walks through the grounds of Polesden Lacey.

First Responder Ros Taylor

We welcome Ros Taylor to Collect Connect as our First Responder. All our writers words are written without them knowing any of the contextual details provided by the artists, they are genuinely a first response to the art work. Here Ros' playful take on Bryan's presentation of Ian's walk are in startling contrast to the violent history of the Pond. The writing points us to innocence and the simple pleasure of play but also hints at what is lost over time and re-found through walking alone and playing together.

Shall we play? 

Let’s play! 

I’ll hide! 

Where’s a good place? 

1.. 2.. 3.. 

There’s nowhere to hide! 

4.. 5 

Don’t look! 

6.. 7 

Where can I hide? 

8.. 9 

Wait! 

10.. 

This is a good place… 

11.. 12.. 

Argh! It won’t work! 

They’ll see me here 

13.. 14.. 

Hang on! 

I’m not ready! 

15.. 16.. 17.. 

This is better! 

18.. 19.. 

20.. 

Phew! 

Coming! Ready or not? 

Where could you be? 

This is fun! 

They’ll never find me here! 

Where are you? 

Here?

Here? 

They’re so close 

I mustn’t move, 

I mustn’t breathe! 

Please don’t find me! 

Where are you? 

Phew! They’ve gone 

I know! 

No! Not here… 

Not here… 

Where could they be? 

Shall I give up? 

Will they ever find me? 

There you are! 

Found you!

Dean Reddick - Translocation and Dislocation (words by Natalie Low)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

If you go down in the woods today you're sure of a big surprise! Dean Reddick's umbilical wires are left exposed in Polesden Lacey. Multi-coloured threads snake out of a tree, searching for a new ending or a new beginning. We'll let you decide. Our writer today is Natalie Low, read her response below.

Dean Reddick

First Responder: Natalie Low

You continue asking why
stones endure from fossil wood?
Under stress they petrify.

Such processes fortify,
having sucked what flesh they could.
You continue asking: why,

after organisms die,
when the breath is gone for good,
under stress they petrify?

I’m a glacier running dry,
not ablating as I should:
you continue asking why?

I am holding in a cry,
mineralised from pain withstood.
Under stress I petrify.

Even when I say goodbye,
emptying the spot you stood,
you continue asking why
under stress I petrify?

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Dean Reddick is an artist and an art therapist. He frequently works with casting process and loves drawing trees. https://deanreddick.blogspot.com/

Natalie Low is a creative knitter, stitcher and quilter. She lives in London, UK with her charming family. She has published two chapbooks Dementia (2015) and School Run (2017).

Ania Tomaszewska-Nelson - Translocation and Dislocation (words by Ginny Reddick)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

Particles fly through the dark skies in Ania Tomaszewska-Nelson's film Before Religion. It is the time of magic, myths and stories passed down through generations. We find ourselves mesmerised by the patterns and movement. These ancient feelings still pulse under the surface of our modern lives. Our First Responder is Ginny Reddick, who is searching for the spaces in between.

Ania Tomaszewska-Nelson

First Responder: Ginny Reddick

The Spaces In Between

There’s magic in the spaces in between.

There’s this one, there’s that one

And the difference.

But as you go along

you lose, this and that and them.

Again 

And again

And before you know it you’re rushing through a tunnel in the dark with nowhere to stop and nothing to hang on to

Stop!

We play

the final bar

of the final minuet,

the f sharp fades.

The grey lady says

I feel so…contained.

We don’t laugh.

We hold a silence.

(beat)

For a moment, we are the thing to hang them on.

The spaces in between.

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Ania Tomaszewska-Nelson is a visual contemporary artist of Polish origin. She moved from Poland to study art at The Ruskin School of Art, Oxford University. After graduating in 1996 in Painting and Mixed Media, Tomaszewska-Nelson settled in Brixton, London, where she has a studio. Predominantly a painter, Tomaszewska-Nelson also works with video, photography, performance, land-art, installation and sound, always seeking a language best suited for the subject matter.
http://www.aniatn.space/

Ginny Reddick is an educator, musician and long time supporter of Collect Connect and its many ventures. Ginny lives in East London with her family.

Lucy Furlong - Translocation and Dislocation (words by Dean Reddick)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

Created by artist and poet Lucy Furlong, this Asemic Airways flight was first flown outside the British Library on a very wet day. Asemic writing is a wordless open semantic form of writing. With the non-specificity of asemic writing there comes a vacuum of meaning, which is left for the reader to fill in and interpret. First Responder Dean Reddick has recorded his own interpretation for us, read it below.

Lucy Furlong

First Responder: Dean Reddick

Dart

Flat to start with a rippled skin, a premonition and prayer for rain.
Then the folds, carefully administered with your tongue sticking out,
A small concentration crease on your brow.

Pristine and new, sharp nosed and eager, waiting
For the fuel of your arm to enter the air and let me go.
Briefly alight, slicing, gliding, falling.

The destination is wet, muddy and puddled.
All my hard edges gone soft and loose.
A single flight from here to there.

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The writing journey of Lucy Furlong has taken her from signing a record deal aged 19, as a singer and lyricist in a band, to a stint in corporate communications working on in-house publications in the 1990s and early 2000s. She attained a degree in creative writing and journalism at Kingston University, and then a MFA in creative writing, specialising in poetry, alongside a Post Graduate Certificate in Learning and Teaching in Higher Education (PGCLTHE). Lucy has published and performed poetry for over a decade, and her work is taught as part of the Open University MA in Creative Writing. 

Dean Reddick is an artist and an art therapist. He frequently works with casting process and loves drawing trees. https://deanreddick.blogspot.com/

Bryan Benge - Translocation and Dislocation (words by Ed Arantus)

 Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

Bryan Benge's dark and brooding film Translocation - Dislocation appears across the pages of a book. The blank eyed figure looks back at us from the heart of darkness, and although the narrator's lips don't move, we still hear and see his thoughts as though we are reading them from the page. Ed Arantus provides the words below. 

Bryan Benge

First Responder: Ed Arantus

You haven't looked in the mirror for a long time,

because you don't know if the eyes will ever open.

When you haven't seen the sun for several months,

you dream like you’re drunk in the basement.

When the days slow you to a crawl,

there’s still an answer in the pages.

And you remember dancing in the fog as a child,

when the bushes whispered that anything was possible.

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Bryan Benge explores the digital art medium, his work draws upon autobiography, family history and cultural icons from his past to explore visual memory and re-positioning of the past. Walter Benjamin observes in a Berlin Childhood , around 1900 “Memory is not an instrument for surveying the past but its theater.”

https://www.bryanbenge.co.uk/

Ed Arantus is a conceptual artist and writer. He published his first work in the Censored Zine in 2010 and has exhibited his work ever since at venues like the Contemporary Arts Research Unit in Oxford and the Museum of Futures in Surbiton.
https://edarantus.blogspot.com

Lesley Cartwright - Translocation and Dislocation (words by Dom O'Reilly)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

The floating world of Lesley Cartwright has been caught in a bush beside a road, as the cars rush by the inhabitants of this gentle world wave back. It is a space that captures the imagination of passing passengers, a dreamcatcher for the modern motorist. The words below are from Dom O'Reilly.

Lesley Cartwright

First Responder: Dom O'Reilly

The Clangers had been happy inside their empty and isolated world until a Rover from Earth looking for Mars had broadcast ‘No music on a dead planet’ by the Soup Dragons to speak to the out there folk. 

As the Soup Dragon fed them, the Clangers saw this as a divine announcement. Well, they would have done had they known of divinity. They asked themselves what was ‘music’ and ‘dead’ for Clangers are immortal unless they unravel themselves. It is why they consume so much tea, for without it they are immoral.

They set off for Earth in search of music and death and the answers each would bring. Since they operate as a hive mind the Clangers felt at home when they landed in London and saw everyone linked by the same phone, tattoos, trainers and haircut. 

They saw people sitting down in unison to a song that spoke of individualism but provoked groupthink. They eagerly sought out where they could be absorbed into this collectivism.

Scuttering along guttering they had an epiphany, a moment of existential realisation, when they saw a young woman emerging from a building with bundles of wool, crocheting for the use of. 

They stared themselves, at the wool and back and forth. This must be the Creator, the one who made all Clangers. 

Following her back to her small, overpriced room in Bermondsey, they saw her bed covered in what looked like Clanger DNA, patch after patch of crocheted wool in the same pattern. 

The woman saw them and, being both originally minded and part of the cult of Taylor Swift she could understand the language and mentality of the Clangers. They found it was a giant bedspread in honour of Taylor Swift and, after hearing the young woman speak for three hours nonstop on being a Swifty, they knew this was where they belonged. 

In an act of mass rebirth, they unravelled themselves so they could become part of the bedspread. There, they would be joined with something bigger than themselves and yet still be as one.

All except one Clanger.

She had spotted the chance to be an individual and to offer hope and encouragement to those who felt the same. Bidding farewell to her fellow Clangers and the young woman, she left the gastrogentrification behind and found a simple tree in a quiet area. 

There she learned by observing. The birds taught her how to lay eggs. She gave sanctuary to an orange frog who had been lured from its home by a flood that quickly receded. She had a toy phone, to remind herself to avoid addiction to the real ones.

As with so many before her, she came to London and integrated without needing to assimilate. 

She sees herself as a ‘Reverse Rover’ – sending a signal to attract to Earth those in out there land who want to be individuals. 

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Lesley Cartwright made her name in the commercial graphic field and music photography until she developed MS and now creates magic artworks from her Billericay studio. She is a multitalented artist who is not bound by genre nor convention. Cartwright has been exhibiting with CollectConnect since the Cardboard City exhibition in 2013. https://twitter.com/ley9

As a journalist Dom O'Reilly reported from 26 countries from Afghanistan to Serbia covering everything from Olympics to revolutions. He wrote for newspapers which included The New York Times, The Financial Times, The Toronto Globe & Mail, Glasgow Herald and Sunday Herald and The Scotsman and Sunday on Sunday. Dom is currently exploring new avenues for his creativity, we are hoping he'll be a regular contributor to the CollectConnect exhibitions.

Marcia Teusink - Translocation Dislocation (words by Ginny Reddick)

Today's art work is a video from artist Marcia Teusink. This is Marcia's first time exhibiting with us at Collect Connect and we are very pleased to welcome her.

Marcia Teusink is a multidisciplinary visual artist whose work explores climate change, collapsing environments and regrowth through painting, mixed media, video and installation. 

Marcia's original video of collapsing landscapes in reverse 

http://www.marciateusink.com/uncertain-edges.html

has been projected onto a coat with the zip going up and down. Thanks to Collect Connect stalwart and friend Chris Brown for help with the projection and production.

First Responder: Ginny Reddick

Big Mummy

I wrapped your perfect sleep

Inside my coat.

I was Big Mummy,

Your rock against the weather.

Even then you pushed your way through 

To feel the rain upon your face.

Look now.

You swaddle what you love.

You wrap the world.

You hold it close against the odds.

Has it finished?

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Marcia Teusink is a multidisciplinary visual artist whose work explores climate change, collapsing environments and regrowth through painting, video, mixed media sculpture and installation. Teusink has exhibited in the UK, the USA and Europe, including recent exhibitions at 195 Mare Street (London), Territory Expo (Barreiro, Portugal), Rome Botanical Gardens (Italy), St Augustine's Tower (London), and Dawe's Twineworks with a commissioned installation for the Od Arts Festival (Somerset, UK). She frequently collaborates with other artists, including an ongoing collaboration with London-based Ground Collective and the international group The Prezent. Teusink has attended artists residencies at Kala Art Institute (CA, USA), The Studios at MASSMoCA (MA, USA), PADA Studios/SLUICE (Barreiro, Portugal) and Unit 1 Gallery-Workshop (London). She works out of her studio in Stamford Hill, London.

http://www.marciateusink.com/about.html

Ginny Reddick is an educator, musician and long time supporter of Collect Connect and its many ventures. Ginny lives in East London with her family.

Carolyn Kruger - Translocation and Dislocation (words by Natalie Low)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

Our first artwork comes from Carolyn Kruger, a piece of her jigsaw dangles down, inviting Totteridge walkers to complete it. Or perhaps the passers-by like that it's incomplete. A gentle reminder of something they must remember, or something lost, that needs to found.

Carolyn Kruger

 

First Responder: Natalie Low

Missing piece, an incomplete

Missing peace, beat no retreat

Missing peas, pulse ate in beat

(Words are sweet and neat)

Missing Peke, a lack of dog,

Missing peak, high level fog,

Missing peek, nil eyes agog,

(Words as analogues) 

Missing pee, a urine freeze 

Missing peat, spare that bog please

Missing pizza, zero cheese

(Words please, seize and tease)

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Carolyn Kruger

Carolyn is an art psychotherapist and communications designer. For many years, the focus of her work has been supporting people from migrant and refugee backgrounds. She currently lives in Berlin, Germany.

Natalie Low is a creative knitter, stitcher and quilter. She lives in London, UK with her charming family. She has published two chapbooks Dementia (2015) and School Run (2017).