Ann Kopka |
Today we discover the Small World Future of.... Ann Kopka
Living on the Skin
What if we didn't live on the thin skin of a rocky planet?
Separated from the sucking, endless night of space by nothing more than a few miles of whimsical gases it is of little wonder that human kind lives a clinging, fearful life.
Ann Kopka's Small World Future offers a less tenuous existence.
Safely encased, on the inside, we are protected from the annihilating fear of living on the edge. No longer between infinity and a hard rocky place we could feel contained, held firmly in rather than on. What new mind sets would evolve in such a place? What new societies would emerge if we were free to delve inwards rather than circling forever round and round with only the desperate fantasy of a mad flight outwards into the deadliest unknown as an escape?
Ann's enticing world, like a brain holds folds and layers, spaces within spaces to explore, niches, planes and curves, organ like, body like.
Her world is green not blue, armoured against invasion from cosmic radiation or imagined aliens and lush.
Dean Reddick
What if we didn't live on the thin skin of a rocky planet?
Separated from the sucking, endless night of space by nothing more than a few miles of whimsical gases it is of little wonder that human kind lives a clinging, fearful life.
Ann Kopka's Small World Future offers a less tenuous existence.
Safely encased, on the inside, we are protected from the annihilating fear of living on the edge. No longer between infinity and a hard rocky place we could feel contained, held firmly in rather than on. What new mind sets would evolve in such a place? What new societies would emerge if we were free to delve inwards rather than circling forever round and round with only the desperate fantasy of a mad flight outwards into the deadliest unknown as an escape?
Ann's enticing world, like a brain holds folds and layers, spaces within spaces to explore, niches, planes and curves, organ like, body like.
Her world is green not blue, armoured against invasion from cosmic radiation or imagined aliens and lush.
Dean Reddick
Ann Kopka |
Ann Kopka studied Fine Art at Central St Martins College of Art and Design and the City Lit. She has studied The Practices and Debates of Modern Art and graduated with a First Class Honours degree from The Open University. She has also studied Museum Curating at Tate Modern. Kopka has exhibited in London, the UK and USA. Her work is held in private collections in France, Spain, UK, Australia and Australia. Her experimental work engages with the research, process and transformation of discarded everyday ephemera and disposable objects of little or no intrinsic value. Through the concept of ‘making something out of nothing’ Kopka seeks to draw attention to the throwaway nature of consumer society and question our perception of its value systems.
http://www.artcontemporary.co.uk/
Dean Reddick is an artist, an art
therapist and a lecturer. He uses a range of media and enjoys
experimenting with casting processes using plaster, metal and resin
to explore the tensions between organic and geometric forms, positive
and negative space and the distortions that occur in producing casts.
As an artist and art therapist Reddick has a keen interest in the
role of art as a cultural phenomenon and as a container for
inter-personal meaning. He enjoys working collaboratively and has
been a regular exhibitor at Walthamstow's E17 Art Trail as well as
exhibiting with CollectConnect. Recently he published Art Therapy in
the Early Years: Therapeutic Interventions with Infants, Toddlers and
Their Families (pub. 2016, Routledge) alongside co-editor Julia
Meyerowitz-Katz.
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