Saturday, 23 November 2024

Francesca Albini (with Diya Sengupta) - Sets, Series and Ensembles

Francesca Albini

Welcome to Sets, Series and Ensembles, an exhibition of art in public places. Accompanying each public art placement is a 'First Response' for you to read here on the website. As artists and writers we are constantly collecting ideas, objects, themes, and sentiments. We are often searching for the connections and narratives that help us understand both our lives and our art. 

Francesca Albini's cabinet of curiosity is a feast for the eyes and imagination, full of hidden imagery and long forgotten memories. It sits beside the dark teak Lion and the Lamb in Farnham, who guards its secrets. We welcome a new writer to CollectConnect, Diya Sengupta, who is unlocking our cabinet of mysteries, read her poem below.

Francesca Albini

Rebirth by Diya Sengupta
a response to Francesca Albini

Kneeling, I craft
Altars of belongings
Dice and scattered joys,
Cracked banks, Pandoric secrets
A line of sandy beaches
A twinkle of the stars.
Clearing, I breathe
The incense, salt air,
Ribbons of girls and scars
Confessions and youthful guilt
Stifled; buried relics of
Ages passed.

Boxes turned tabernacles;
The pinecones, the driftwood,
The myrrh.
I exhale the final Breaths of
Adolescence
She is stuck, she cannot convert.
Lifetime of nostalgia and glee,
Rose-tinted perfection
Horror-felt, a beg for mercy.

A life beyond resurrected ends
A tale of bewonder laid to rest
In purgatory, in death
As young turns to old
I start to hold dripping water
As taps stutter in
Grime and mould
The beast of Time
Turns angels, they fall
Enthralled, it burns
A tomb of past
A carcass of “was”
I scream in silence
Glass turned violent
I see my child
Tied inside
She reaches to me
She breathes softly
She’s ready to leave.

To beam, to squall, to revolt.
No longer a cadaver,
No longer her mother,
No longer a force,
No longer her corpse.
A life once lived.
            A promise to live once more

Francesca Albini


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Francesca Albini divides her life between literary and artistic endeavours. She is a PhD in Classics, and has worked in publishing for her entire adult life, as a translator, author and editor. She is a self taught artist and photographer. Her work is inspired by folk art, but also by design. Albini is a collector of memories, and uses any medium that allows her to remember and share, express feelings and narrate stories. From line drawings to plastic cameras, from collage to upcycled jewellery and dolls. "My work is playful and dreamy, child-like but also philosophical. I fall in and out of love with many styles and tools, but I'm always me, whatever I do."

Diya Sengupta is a Final Year History and English Undergraduate at Warwick University. She is Vice President of Warwick University Shakespeare Society, and earlier this year directed the Greek tragedy Electra, for the Warwick Drama Society.


Friday, 22 November 2024

Chris Brown 3 (with Carole Bulewski) - Sets, Series and Ensembles

Chris Brown 3

Welcome to Sets, Series and Ensembles, an exhibition of art in public places. Accompanying each public art placement is a 'First Response' for you to read here on the website. As artists and writers we are constantly collecting ideas, objects, themes, and sentiments. We are often searching for the connections and narratives that help us understand both our lives and our art. 

On this cold crisp Autumnal day we step inside for the first time, where we find the first class artwork of Chris Brown. This is the first of three artworks that Chris has created for Sets, Series and Ensembles. We are always thrilled to receive his work, conceptually brilliant they have such a breadth of ideas and forms. Responding to Chris' artwork is Carole Bulewski, who has an equally broad rage of skills and ideas up her sleeve. She is a painter, singer, and weaver of dark lyrics and mysteries. Read her response below.

Chris Brown 3

Carole Bulewski

Prince Charles… Oops, sorry, King Charles. A photo of King Charles when he was still only Prince Charles, attempting to be seductive, and pretty much failing at it. A stamp of King Charles when he was still only Prince Charles, on top of a collage of stamps of the Queen. Lilac. The stamps of the Queen are of a vibrant lilac hue, contrasting with the black and white of King Charles’s photograph.

The camera moves away and we are… in an art gallery most likely? A photograph exhibition. And there King Charles when he was still only Prince Charles, on a stamp, sitting there on a table next to a flower arrangement, something reminiscent of a funeral parlour, heavy, white and lavender hues, nothing bright and joyful. Just like the picture of King Charles when he was still only Prince Charles. 

Time for my tea in the set the previous tenants got back in July 1981 for the royal wedding. 

Chris Brown 3



Chris Brown 3 - Pick Up

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Chris Brown is an artist, author, editor and art therapist living amongst skyscrapers and regularly exploring the wilder landscapes of the United Kingdom.

Born and raised in the south of France, Carole Bulewski moved to the UK at the end of the second Millennium, eventually settling down in London after a few years in the South West of England, a place that has inspired her with many a supernatural story since – writing first in her native French, but now almost exclusively in the English language. In her writing, she explores how the supernatural can creep into the most mundane of situations. Carole is a member of urban baroque group Firefay.
Tales of Confinement - Carole Bulewski




Thursday, 21 November 2024

Dean Reddick (with Ed Arantus) - Sets, Series and Ensembles

Dean Reddick

Welcome to Sets, Series and Ensembles, an exhibition of art in public places. Accompanying each public art placement is a 'First Response' for you to read here on the website. As artists and writers we are constantly collecting ideas, objects, themes, and sentiments. We are often searching for the connections and narratives that help us understand both our lives and our art. 

Dean Reddick's mysterious totem pegs are laid out in a row for us on Sets, Series and Ensembles today. They talk of another time, of talismans and rituals, and of wisdoms that remain, even to this day. Dean is one of the founder members of CollectConnect, always bringing fresh ideas and new work to our exhibitions. Ed Arantus has also been with us since the start, he exhibited a magnet in our first show, 'Open Fridge'. Now, as a writer, he discovers the old wisdoms of our past. Read his proverb below.

Dean Reddick

Proverb 

Lies
behind
marble eyes
catch flies ne’er bees.
Honeyed be, truth and web will stick to thee. 


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Dean Reddick is an artist and an art therapist. He frequently works with casting process and loves drawing trees. 
https://deanreddick.blogspot.com/

Ed Arantus is a conceptual artist and writer. He published his first work in the Censored Zine in 2010 and has exhibited his work ever since at venues like the Contemporary Arts Research Unit in Oxford and the Museum of Futures in Surbiton.



Wednesday, 20 November 2024

Melanie Honebone (with Ellie Roberts) - Sets, Series and Ensembles


Melanie Honebone

Welcome to Sets, Series and Ensembles, an exhibition of art in public places. Accompanying each public art placement is a 'First Response' for you to read here on the website. As artists and writers we are constantly collecting ideas, objects, themes, and sentiments. We are often searching for the connections and narratives that help us understand both our lives and our art. 

Regular CollectConnect followers will know the artistic exploits of our next exhibitor, Melanie Honebone (formerly Melanie Ezra). She has been one of our most treasured and long serving CC artists over the years, and it is fitting that Time is one of the themes in her artwork for Sets, Series and Ensembles. In contrast we welcome a new writer, Ellie Roberts, to CollectConnect and hope she will be a contributor for many years to come. Read her response to Melanie's artwork below.

Melanie Honebone artwork, Hertfordshire
Ellie Roberts

Time has been on my mind


Time has been on my mind
Is it really past the 11th hour?
There was a ’rose garden’* but I know not to return
Time is now not then
that cycle of destruction and creation, reaching into the earth for renewal
feeling the pulse of the friable soil replete
with cosmic gold
Post war efforts
of urban forests falter
Lining Chandos Road
Giant slender fronds grapple with tarmac- concrete upturned knuckles of life burst
through their dark enclave
Little hands in mine
Time of my life
‘Look Nonna - the tree died, was it old?’
‘No, trees don’t die-it fell-felled………
Trees know when it is day and night
Trees know when it is hot or cold
Trees have memories’
‘Will it grow again?’
‘Maybe in time but not the same’


*T.S Eliott Four Quartets

Melanie Honebone


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Melanie Honebone is a Wales-based fine artist. She often works in series, providing visual responses to external stimuli such as literature, science, and music. Melanie openly describes herself as a ‘renegade arts experimentalist’ and is happy dabbling in anything that pushes her work to the limit and broadens her own potential. In her spare time she produces music videos and photography for Stone Letter Media, is attempting to learn Welsh, and likes to stroke cats.
https://melaniehonebone.wordpress.com/

This is a first appearance for Ellie Roberts in a CollectConnect exhibition.


Tuesday, 19 November 2024

Stella Tripp 2 (with Natalie Low) - Sets, Series and Ensembles

 

Stella Tripp

Welcome to Sets, Series and Ensembles, an exhibition of art in public places. Accompanying each public art placement is a 'First Response' for you to read here on the website. As artists and writers we are constantly collecting ideas, objects, themes, and sentiments. We are often searching for the connections and narratives that help us understand both our lives and our art. 

Here's the first of three collections from multimedia artist Stella Tripp. Today she casts us a lifeline of blister packs, but do they help us sink or swim? Natalie Low provides us with our daily dose of writing. Read it below.

Stella Tripp


One pill kill and one pill cure,
But which one’s which? I’m never sure.
Your poison and your ecstasy
always taste the same to me.
I don’t know until too late
If I’ll overdose on love or hate.
And as I sink the doubts begin:
Did you throw a line or throw me in?
One pill cure and one pill kill,
I can’t tell which you give me. Still.


Natalie Low


Stella Tripp

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Born in Taunton, Somerset, Stella Tripp travelled to her current home in Devon, a very long way round. After a few years in Israel, Stella returned to Taunton to do a foundation course; then on to Portsmouth (BA Hons Fine Art); a few years in London; three in the USA (MA Fine Art; MFA) and a year in Cornwall, before settling in Exeter. Stella works in a wide variety of media, crossing boundaries between drawing, painting and sculpture.
www.stellatripp.co.uk

Natalie Low is a creative knitter, stitcher and quilter. She lives in London, UK with her charming family. She has published two chapbooks Dementia (2015) and recently School Run (2017).


Monday, 18 November 2024

Kezia Reddick (with Laura Webb) - Sets, Series and Ensembles



Kezia Reddick

Welcome to the first day of our Autumn exhibition, Sets, Series and Ensembles. Over the next two weeks here on the CollectConnect website we've got a fabulous selection of art in public places alongside 'First Responses' from a series of writers and creative people. As artists and writers we are constantly collecting ideas, objects, themes, and sentiments. We are often searching for the connections and narratives that help us understand both our lives and our art. 

We start the exhibition with this wandering sculpture from Kezia Reddick. It has crawled into the Feltham Circles, a series of outdoor graffiti walls in Pevensey Road Nature Reserve, in South West London. We also have an amazing CollectConnect debut today, from writer Laura Webb. Read her response below.



First Response - Laura Webb

A to B

I've been crawling around for a while now,
curving wire fingers around
objects which delight me.

I swallowed mouthfuls of the sea
and coughed up these stones
one by one, their pilchard song

echoing around the car park
in a way which surprised everyone.
Later, I wound myself up

so tightly I could feel my heart swinging
in the soles of my feet. These walls bring
faces to my dreams and I transmit 

the signals I detect: three quartered moon,
smalltalk of fox and helicopters.
The unlit earth turning on its hinges.




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Keziah Reddick is an artist and Foundation student in London who works across a range of media. She has a particular interest in telling stories through her art. She has a passion for stories from ancient civilisations.

Laura Webb made her debut with CollectConnect in November 2024.