Showing posts with label walthamstow. Show all posts
Showing posts with label walthamstow. Show all posts

Saturday, 2 March 2019

Lesley Cartwright - Love Tokens and Bad Pennies


Lesley Cartwright
Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Artist - Lesley Cartwright  / Words - Ginny Reddick

Pass On
Old heart, pass on,
Grandfather, Father,
Son,
broken,
pass on
unbroken, pass on
divided and melted, pass on, pass on
sickened, pass on
lessened, pass on
mended and filled and pass on, pass it on.
You can borrow its beat Until it's time to pass on. If we're lucky, Grandfather, Father, Son.

Lesley Cartwright's Love Token on a communication box in Walthamstow
Lesley's Love Token lays on this battered box in a quiet residential road in Walthamstow. Waltham Forest is currently the London Borough of Culture and many parts of the Borough are undergoing extensive change with rapid housing development and large scale gentrification. 
Lesley Cartwright was born in Liverpool but later moved to Essex to run a Hostel for homeless teenagers. She made her name in the commercial graphic field and music photography until she developed MS and now paints portraits from her Billericay studio. Cartwright is a multitalented artist who is not bound by genre nor convention. Cartwright has been exhibiting with CollectConnect since the Cardboard City exhibition in 2013.ttps://twitter.com/ley9
Ginny Reddick is a writer and educator. She was one of the artists who exhibited at the first ever CollectConnect exhibition, Open Fridge, in March 2010. Although there has been a 9 year hiatus between that exhibition and this one she has curated numerous CC projects including the Walthamstow street art favourite HideBird.

Thursday, 28 February 2019

Barbara Dougan - Love Tokens and Bad Pennies


Barbara Dougan Love Token


Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Art - Barbara Dougan / Words - Dean Reddick


MotherDaughter

28 Slides, magnified x1000.
28 views through a telescope to see into the past.

Close-up crumbs breed across the disc, each one a mote, vital, discarded.
Or spread across light-years, painting a galaxy.

Zoomed in, great chunks of toast that could not be managed.
Or asteroids tumbling, silently, forever.

Intimate, the eye close to the bacteria
and beyond reach black holes, coloured dwarfs, wait to go supernova.

Clear crystals of chemicals sparkle, star-like.
Spilt liquids are dust clouds, congealing with gravity.

Two crusts dance, touching and spinning.

28 days, one every morning.

A film created by Barbara Dougan accompanies this artwork



You can find Barbara's art work on a strange derelict box in Wood Street, Walthamstow. These broken remnants of street utilities can be found throughout our villages, towns and cities, hinting at some recent past but no longer functional.
Waltham Forest is currently the London Borough of Culture and many parts of the Borough are undergoing extensive change with rapid housing development and large scale gentrification. 

Barbara's film, waiting to be collected in Walthamstow 
An interest in the environment informs Barbara Dougan's work, along with an ongoing exploration of constraint, change and adaptation. For two years she collaborated with choreographer Darren Ellis and dancer Hannah Kidd, leading to films Tea Break and Living Room, and a participatory work Unentitled: channel your angst in the Edwardian Cloakrooms in Bristol. Currently she is collaborating with fellow artist Henry Driver. They are artists-in-residence with Collusion, developing TEO for a showcase which will bring together all the innovative interdisciplinary work commissioned from artists. Work will be installed at Cambridge Leisure Park from 5 - 14 April 2019 with the public launch on 5 April. 

Dean Reddick is an artist, an art therapist, occasional lecturer and editor on the Art Therapy Journal ATOL. He has a small studio space at his home in Walthamstow where he works on sculptures and drawings often based on his fascination with birds and trees.  

Don't forget to submit to our next exhibition. The Art of Caring is accepting submission until the 7th

Tuesday, 26 February 2019

Chris Brown - Love Tokens and Bad Pennies

Chris Brown - Walthamstow
Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Art - Chris Brown / Words - Ed Arantus

Wise fingers that scratch the numbers
Take your name and eat your thunder,
Brown ball come weave and whirl
Cracked your nut in teeth of squirrel.

non plus
non plus
non plus
Pluto

Quick minds that flick with fire
Burn like lies in amber tyres
More to turn all hope to sadness
A sombre dream of dying planets.

non plus
non plus
non plus
Pluto

non plus
non plus
non plus
Pluto

Chris Brown
Chris' artwork rests on top of a communications box in Walthamstow. The morning sun slants across it as the UK bathes in this unseasonally warm weather. Perhaps the sun's unwavering gaze has shrivelled this burnt offering to the size of nut. Waltham Forest is currently the London Borough of Culture and many parts of the Borough are undergoing extensive change with rapid housing development and large scale gentrification. 

Chris Brown is an artist and filmmaker. He has worked as an art therapist in the NHS and as a lecturer at Goldsmiths, University of London. He is currently a freelance clinical supervisor and an editor for ATOL: Art Therapy Online,

Ed Arantus is no stranger to art and writing, he first published his work in the Censored Zine (July 2010) and has exhibited his work ever since at venues like the Contemporary Arts Research Unit in Oxford (2014). Last year he exhibited his poem 'Google If' at the Museum of Futures as part of the Enemies Project.

Don't forget to submit to our next exhibition. The Art of Caring is accepting submission until the 7th

Monday, 25 February 2019

Bryan Benge - Love Tokens and Bad Pennies

Bryan Benge - #unsettledgallery in Walthamstow
Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Art - Bryan Benge / Words -  Natalie Low

If my heart was a badge, I’d pin it on my sleeve.
Not just through my sleeve, but through my arm-skin too.
Yap! It would hurt. And bleed too probably.
But that would be alright cos I’m doing it for YOU.

If my heart was a trolley token, I'd get out a double-size one,
And we'd never give that baby back.
Checkitout! I'd fill it up to the brim
With forever groceries and stuff for YOU

If my heart was a coin, I’d push it right in your slot,
And choose the best chocolate bar in the machine.
Ker-lunk! I’d reach right up inside if I had to,
And then I would unwrap it and give it to YOU.

If my heart was a button, I’d fasten it up tight,
(there”d be more than one) all the way up to your chin.
Uhuh-uhuh! But I'd undo the top one to let you breathe,
That's the kind of thing I do for YOU.

You don’t ask me to do these things.
I do them in SPITE of you not asking me to
And that’s love!

Bryan Benge
Bryan's Love Token rests gently on a wooden bench in Walthamstow. Perhaps it has slipped out of a pocket or a child has dropped it, has love been lost forever. Or are we looking at it the wrong way round, perhaps someone is going to be lucky enough to find love today. Waltham Forest is currently the London Borough of Culture and many parts of the Borough are undergoing extensive change with rapid housing development and large scale gentrification. 

Bryan Benge is a practising artist, currently exploring digital media in his Fine Art practice.
He has always been an exhibiting artist. In 1992 he became a Member of The London Group.
Bryan's first involvement with CollectConnect was at the Open Fridge Gallery 89 in March 2010. Since then he has enjoyed working alongside his colleagues Alban, Dean and Stuart.
The philosophy of CollectConnect sits alongside his belief that creativity and all its outcomes need to be encouraged and supported for all ages and backgrounds, that is without sanctions of selection or application of a personalised aesthetic.  To enable artists opportunities to exhibit their work, free from barriers and gatekeepers.
From all the CollectConnect collaborations the one that stands out most for Bryan was CollectConnect’s collaboration with the Foundation students at the University for the Creative Arts, Surrey (UCA). Bryan worked for 15 Years as a Senior Lecturer/Course Leader where he managed the Foundation course at UCA.
During 2013 the students produced artworks  which were reproduced in the Future Bound book. This gave these young students exposure for their artwork for the first time outside academia. To this day some of the students are in contact with his colleague Alban encouraged by that collective experience.
http://bryanbenge.co.uk

Natalie Low enjoys putting words on paper and believes that everyone has a book of some sort inside them. She has published two chapbooks, Dementia (2015) and School Run (2017). She also appears in this exhibition as an artist/maker.

Don't forget to submit to our next exhibition. The Art of Caring is accepting submission until the 7th




Saturday, 23 February 2019

Dean Reddick - Love Tokens and Bad Pennies

Dean Reddick 
Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Art -  Dean Reddick / Words - Ed Arantus

A boy with a coin turned bad in his hands
With wagers and hopes of sweet magazines
Chose a bet that flipped on the turn of a wish
No luck to the bottom, the world cast adrift

A girl in the depths as poor as a bird
Who climbed up her so high only she truly knows
Which eyes are for crying, these games that you play
Leave this place flying, lets cast away

The boy crammed the coin straight into the slot
Tossing his luck in the swell of the sea
You might walk on water, you might live for spin
Three cherries, a melon, this bird’s on the wing

Dean Reddick
You can find Dean's flesh coin on a communications box in Wood Street, Walthamstow. Waltham Forest is currently the London Borough of Culture and many parts of the Borough are undergoing extensive change with rapid housing development and large scale gentrification. There are at least 2 amusements arcades/gambling houses in Walthamstow. Cosmic Casino at 2 Central Parade, Hoe Street and the Admiral Casino at 196 High St.

Dean Reddick is an artist, an art therapist, occasional lecturer and editor on the Art Therapy Journal ATOL. He has a small studio space at his home in Walthamstow where he works on sculptures and drawings often based on his fascination with birds and trees.  

Ed Arantus is no stranger to art and writing, he first published his work in the Censored Zine (July 2010) and has exhibited his work ever since at venues like the Contemporary Arts Research Unit in Oxford (2014). Last year he exhibited his poem 'Google If' at the Museum of Futures as part of the Enemies Project.

Don't forget to submit to our next exhibition. The Art of Caring is accepting submission until the 7th

Thursday, 21 February 2019

Stella Tripp - Love Tokens and Bad Pennies

Stella Tripp - Choose Love
Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Art - Stella Tripp / Words - Chopsticks Nelson
Choose Love?

One of the first songs I ever recorded was called 'Choose Love'. Twenty-three people bought a copy. I wrote it in a rickety, cold, optimistic shack up in a forest outside Asheboro, NC, back in the days when the hippies sometimes seemed to have the answer, back before the rips and anguishes of 'Nam and the insanities of Altamont and the 'we fucking knew its' of Watergate. I had nothing up there, nothing except a guitar I could never keep in tune, memories of Carla and San Francisco and what might have been, a couple of bottles of Eagle Rare, and a few cans of tuna. I lasted three days - three days! - but I got the song out of it and (as you probably know) I got Nina out of it. Win some, lose some.

‘Choose Love’ is a four-chorder: Gmaj7 - Bb13 - Ebmaj9 - Ab13. It didn't start that way, but that guitar had a mind of its own and those chords keep the thing pretty much mine, keeps it well away from anyone else.

Choose Love

I watch the long-hairs dance
Watch them prance, baby,
I watch them play at opposing
And supposing
And proposing
We should choose love.

I watch the rich kids play
Watch them lay, baby
Watch them trying to fuck
And trying to suck
And trying their luck and telling us all
We should choose love

Chorus
Ain't going to choose love, darling,
Not when there's fights to fight
Ain't going to choose love, honey,
Not when there's still wrong and right

I watch the flowing skirts spin
Watch them try to win, baby
Watch them twirl and laugh
Trying to change our path
And trying to make us all
Choose a new kind of love

I watch the kids shout at cops, baby,
Watch them wonder why
The Man can't listen
The Man won't listen
To flowers and pot and dreams and hope
Or choose a new kind of love.

Chorus
Ain't going to choose love, darling,
Not when there's fights to fight
Ain't going to choose love, honey,
Not when there's still wrong and right

Introduction: Chopsticks Nelson, in a letter to the author (1978).

Lyrics and music reproduced by kind permission of Sandra Nelson.
Stella Tripp

You can find Stella Trip's artwork outside Colvins in Walthamstow. Colvins is a DIY, ironmonger, wood cutting, paint mixing shop with some of the most knowledgeable staff in the business. In 1949 Colvins Ltd in Wood Street, Walthamstow was set up by an eponymously named businessman but now the popular hardware store is shutting its doors for a final time as numerous high street pressures becomes to much. Here at CollectConnect have always enjoyed exhibiting in urban public places, the high street and the shopping centres. They are evolving and fluid sites that benefitfrom the vibrancy of art and people to make them come alive.

Born in Somerset, Stella Tripp trained locally before attending Camberwell school of Arts and Crafts where she went on to lecture part-time. At the beginning of the eighties Stella travelled to America, Illinois where she developed much of her over arching themes and work practices, such as the decision to stop using rectangular stretched canvases and instead building makeshift constructions to paint on. These better reflected her situation and state of mind. She wrote a thesis exploring the nature of art by comparing art from different cultures and was excited by the possibilities that surface when exploring the nature of art in the light of cultural and societal conditioning: "things don’t have to be as they are; anything goes; anything is possible". Stella is a regular contributor to Collect Connect projects and first exhibited with us at the Lite Bite exhibition in 2011.

John 'Chopsticks' Nelson 
John 'Chopsticks' Nelson (February 14th, 1926 – July 13th, 1979) was an American blues singer, guitarist, actor and composer. Notoriously reclusive and hostile to both media and fans alike, Nelson remained a little-known but passionately-followed figure in the Carolinas, Virginia and Georgia for much of his life, before becoming more widely known with the release of 'They Call Me Chopsticks' in 1976. 
Originally a backing singer and session guitarist, he contributed to many albums by other musicians, including Sonny Boy Williamson, The Rolling Stones, ZZ Top, John Lee Hooker, and Muddy Waters.
Over the course of his career, Nelson's music took on an increasingly spiritual dimension, culminating in the controversial 1974 triple album, 'God, Allah and Yahweh' and live shows that became a focus for attacks by the Ku Klux Klan. 
Nelson remains one of the most influential - if least understood - bluesmen in music history. He died in a hunting accident in West Virginia the day after his fourth album entered the Billboard charts at Number Two in July, 1979.
https://twitter.com/ChopsticksNels1

Don't forget to submit to our next exhibition. The Art of Caring is accepting submission until the 7th April 2019. More at http://collectconnect.blogspot.com/p/submit.html


Tuesday, 19 February 2019

Susie Mendelsson - Love Tokens and Bad Pennies


Susie Mendelsson
Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Art - Susie Mendelsson / Words Ginny Reddick

Life was hard and grey and pushed together. The days would not make room for her. They jostled and overlapped and squeezed. On and on and on went the days and all that time it was growing. She didn’t know about it. It didn’t ask for anything. It did it all on its own.

Until one time, tired in the moonlight, she saw it. It was red and streaked with silver. It held itself by its own stem and waited for her.

Susie Medelsson's Love Token on a post at the edge of Epping Forest

Susie's Love Token stands on a post on the path at the edge of Epping Forest.
The Forest is a Site of Special Scientific Interest, bordering London and Essex and is an Ancient Woodland, one of the few left in London. The sculptor Jacob Epstein lived on the edge of the Forest. Nowadays the Forest is used by dog walkers, mountain bikers, horse and pony riders and picnicking friends and families as well as footballers, bird watchers and runners. I like to imagine all the lovers who might have left their own love tokens in the forest over the centuries. The Forest has also had its share of Bad Pennies reaching up to the present day. Take a walk through the Forest and see if you can find a Love Token or a Bad Penny. 


Susan Mendelsson was born at Hackney, London and educated at the Manchester Metropolitan University, gaining a B.A. (hons.) in Graphic Design. She then took a Teaching Diploma in Art from at University of Haifa, Israel and an M.A. in Fine Art from Coventry University. A figurative artist who has been influenced by the German expressionists as well as medieval art and works mainly in paint and mixed media. In her Suffolk studio she creates the most amazing 3D figures and characters often made from found objects.




Ginny Reddick is a writer and educator. She was one of the artists who exhibited at the first ever CollectConnect exhibition, Open Fridge, in March 2010. Although there has been a 9 year hiatus between that exhibition and this one she has curated numerous CC projects including the Walthamstow street art favourite HideBird.

Don't forget to submit to our next exhibition. The Art of Caring is accepting submission until the 7th April 2019. More at http://collectconnect.blogspot.com/p/submit.html