Showing posts with label Francesca albini. Show all posts
Showing posts with label Francesca albini. Show all posts

Saturday, 23 November 2024

Francesca Albini (with Diya Sengupta) - Sets, Series and Ensembles

Francesca Albini

Welcome to Sets, Series and Ensembles, an exhibition of art in public places. Accompanying each public art placement is a 'First Response' for you to read here on the website. As artists and writers we are constantly collecting ideas, objects, themes, and sentiments. We are often searching for the connections and narratives that help us understand both our lives and our art. 

Francesca Albini's cabinet of curiosity is a feast for the eyes and imagination, full of hidden imagery and long forgotten memories. It sits beside the dark teak Lion and the Lamb in Farnham, who guards its secrets. We welcome a new writer to CollectConnect, Diya Sengupta, who is unlocking our cabinet of mysteries, read her poem below.

Francesca Albini

Rebirth by Diya Sengupta
a response to Francesca Albini

Kneeling, I craft
Altars of belongings
Dice and scattered joys,
Cracked banks, Pandoric secrets
A line of sandy beaches
A twinkle of the stars.
Clearing, I breathe
The incense, salt air,
Ribbons of girls and scars
Confessions and youthful guilt
Stifled; buried relics of
Ages passed.

Boxes turned tabernacles;
The pinecones, the driftwood,
The myrrh.
I exhale the final Breaths of
Adolescence
She is stuck, she cannot convert.
Lifetime of nostalgia and glee,
Rose-tinted perfection
Horror-felt, a beg for mercy.

A life beyond resurrected ends
A tale of bewonder laid to rest
In purgatory, in death
As young turns to old
I start to hold dripping water
As taps stutter in
Grime and mould
The beast of Time
Turns angels, they fall
Enthralled, it burns
A tomb of past
A carcass of “was”
I scream in silence
Glass turned violent
I see my child
Tied inside
She reaches to me
She breathes softly
She’s ready to leave.

To beam, to squall, to revolt.
No longer a cadaver,
No longer her mother,
No longer a force,
No longer her corpse.
A life once lived.
            A promise to live once more

Francesca Albini


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Francesca Albini divides her life between literary and artistic endeavours. She is a PhD in Classics, and has worked in publishing for her entire adult life, as a translator, author and editor. She is a self taught artist and photographer. Her work is inspired by folk art, but also by design. Albini is a collector of memories, and uses any medium that allows her to remember and share, express feelings and narrate stories. From line drawings to plastic cameras, from collage to upcycled jewellery and dolls. "My work is playful and dreamy, child-like but also philosophical. I fall in and out of love with many styles and tools, but I'm always me, whatever I do."

Diya Sengupta is a Final Year History and English Undergraduate at Warwick University. She is Vice President of Warwick University Shakespeare Society, and earlier this year directed the Greek tragedy Electra, for the Warwick Drama Society.


Tuesday, 2 April 2024

Francesca Albini - Translocation Dislocation (words by Jack Low)

Welcome to the Translocation and Dislocation exhibition, a selection of eclectic artworks that have been placed or screened beyond the tradition gallery walls. Alongside the art, you can read written works by our First Responders. We will choose a different location for each artwork, the art might be placed in a complementary location (to add to the narrative) or juxtaposed against a competing backdrop to create new meaning.

An open hearted figurine from Francesca Albini waits on a bridge in Kelvingrove Park in Glasgow today, do you dare flick the switch and discover the hidden secrets of the lady with the red hair? First Responder Jack Low tries to unravel her mysteries, read his words below.

Francesca Albini



First Responder: Jack Low

The movement of something from one place to another

I am miles from where I came from
But I am still the lady with the red hair
It disobeys the movement of the wind like I’ve always despised
Holding something back,
not free like the shadows I see from where I sit
Chopping and changing, changing in the wind
My eyes are wide, wide enough to see what I can’t have and always narrow enough to see myself,
If you looked in far enough you would see my home,
A place, the one place, where my eyes can only stretch to the confines of familiarity
Maybe they will dance far enough from there, to here
To this stretch of stone spotted by history and a thousand finger prints
And I will see another familiar sight.
Or
just
A familiar disturbance,
Can I ever break from the family I had when
I hold the key to my mothers youth
Yet no power to unlock it?
Just as my own heart is held in shackles,
Like a proper lady,
Just as I was taught,
Far enough from the original but never out of line,
The people that pass never see anything despite the usual,
Yet I sit there, new and unusual, and even then
You can read all about me
And never see me
Never place me
Or pick me out from the line up, a fallen leaf, the passers-by, the state of me once I am discarded,
Can you keep the memory of where I was?
Would you remember me?

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Francesca Albini divides her life between literary and artistic endeavours. She is a PhD in Classics, and has worked in publishing for her entire adult life, as a translator, author and editor. She is a self taught artist and photographer. Her work is inspired by folk art, but also by design. Albini is a collector of memories, and uses any medium that allows her to remember and share, express feelings and narrate stories. From line drawings to plastic cameras, from collage to upcycled jewellery and dolls. "My work is playful and dreamy, child-like but also philosophical. I fall in and out of love with many styles and tools, but I'm always me, whatever I do."

Jack Low is a Brighton based writer. He published his debut poetry pamphlet, aesthetics of a dropout, in 2019.

Sunday, 22 October 2023

Alertism - Mark Carr

Welcome to the Alertism exhibition, featuring artistic and literary works that were inspired by the Emergency Alert test message that was sent to people with a mobile device on Sunday 23rd April at 3pm.

Mark Carr is one of those artists who seems comfortable making work at any scale, in any media, and is willing to tackle any concept we throw his way. One of the themes that runs through his work is a willingness to embrace both written and visual language. This is his eighth exhibition with CollectConnect. His first combined words and mixed media when he became a sushi laureate for the Jawspring exhibition in 2014. The exhibition celebrated World Poetry Day, and typically Mark chose to cast light on a subject that is often brushed under the carpet, mental health. Mark's First Responder is also a polymath (like himself), read the response of writer, artist and filmmaker Francesca Albini below.


Mark Carr

First Responder: Francesca Albini

I wondered if the alarm was for me. If I was a pawn or a node. If the alarm was for them out there or for us. If there is such a thing as us. Am I rescued or targeted? Who belongs? An ominous sense of having to trust the invisible, a spiral screaming a sterile safety.

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Mark Carr is a multimedia artist from North East England who says that since he was a child, he has always felt a need to be creative and produce art. In 1984 he graduated with a degree in Fine Art, which he took to Master’s level in 1994. Mark’s inspiration is taken from the world around him and the interactions he sees between people as they express their deepest emotions.
https://armchairanarchist.wixsite.com/mark-carr

Francesca Albini was born in Venice, and raised in Florence and Genoa. She was always surrounded by art and books, and grew up with a love and need for culture and cultural enterprises. She lives on the South Coast of England where she works as a freelance literary translator and artist. She is often involved in interesting, fun projects, for the promotion of art and culture. She was also a sushi laureate for the Jawspring exhibition in 2014.
https://www.francescaalbini.com/



Sunday, 3 March 2019

Last Day - Love Tokens and Bad Pennies

Thank you to everyone who has supported our Love Tokens and Bad Pennies exhibition. From artists to writers, and not forgetting all of you who have been out looking for artworks and getting involved online. After placing artworks out on the streets for 30 days we reach the end of the exhibition. Today we are posting the final artworks, some have written pieces to accompany them and some exist on their own. We will try and write an update in the next few weeks, visiting some of the locations and see if the artworks still rest in the #unsettledgallery spaces.

The next exhibition is the Art of Caring at St George's Hospital in May (and then onto St Pancras Hospital in July). The deadline is 7th April 2019 so please send in your artwork (It's free to enter) and support the nurses, carers and the NHS. http://collectconnect.blogspot.com/p/submit.html

Tracy Boness - #unsettledgallery No.8, London Bridge
Art - Tracy Boness / Words -  Francesca Albini

Precious and frayed,
Tangled and free,
Caught in a net,
Sparkling diamonds,
Our love
Eternal

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Melanie Honebone
Art - Melanie Honebone / Words - Ed Arantus 

That knot in the pine brow
A cut near the front eye
The moon is high; from sides of the world where nightmares grow
You made all my fears and,
You held them in raptures
But there's no magic without death you said
You are a belief, short rotting
A prophecy dying on a dull mind
You can save your second coming,
I'm not the kind you need to pray for

Now I know where we went wrong
Growing green branches from dead wood
And I still swear that you can’t save me
Even when push, came to push, came to shove
Well you can swallow that sweet breath baby,
Until your death is the magic of love.

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Stella Tripp
Art - Stella Tripp / Words - Kevin Acott

One World

People have asked me what Nelson would think about Trump and all the hate swirling across the earth. Sometimes I tell them they should listen to The Three Great Alabama Icons by Drive-By Truckers. Sometimes I tell them Nina accused Nelson once of being 'no better than the rest of your people'. Sometimes I ask them why they really want to know.

The first and last interview I did with Nelson, he was drunk, drunker even than other people had led me to expect. We were in his room in some crappy hotel in Mile End and at one point he started talking about desire and Muddy Waters and - of all people - Bertrand Russell. He said Russell was convinced desire dictated everything we did, good and bad. To Nelson, Russell’s ‘desire’ wasn't about sex. He meant, instead, that even when we try to do good, it's because of desire: our desire to possess, to compete and overcome other people, to look good in the eyes of the world, to have power over ourselves, others, the whole world. To become, ultimately, God.

He told me all this and I listened and tried to follow and tried to make notes and then I watched him tip gently back onto the bed and start snoring.

So. We want the best for others because we want to become God. Nelson's 'Kissinger Blues' was, I'd always thought, simply about how there's something evil in each of us, a Kissinger, a Hitler, a Trump. But in that East End hotel, I suddenly realised it wasn't that straightforward: have a look at/listen to the YouTube video of Nelson playing it at Glastonbury in '75 and the extra, rambling verses and see what he does with the song he'd once vowed never to play again: he's saying (I think) that by pretending to have good motives for being good, rather than accepting the universality of desire, of egocentricity, we not only miss the point, we find ourselves unable to truly fight racism, hate, division. I could tell you I'm writing this purely because I want to convince you of the genius of Chopsticks Nelson and help preserve his memory. But I also want to accrue, to possess, I also want you to respect me and give me power and a way of being, however temporary, that makes me feel good. And - if we can both accept that – we can eventually find peace and love and the joy of singing a single, shared song. 

From the epilogue to 'Chopsticks Nelson: A Southern Life' by Kevin Acott (2019).

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Dean Reddick
Art - Dean Reddick /  Placement - Walthamstow

To see all the posts from this exhibition in one thread then click here - http://collectconnect.blogspot.com/search/label/Love%20Tokens%20and%20Bad%20Pennies




Friday, 1 March 2019

Francesca Albini - Love Tokens and Bad Pennies

Francesca Albini
Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Art - Francesca Albini / Words - Ed Arantus

Her beautiful silver skin,
the light a moon could spark off
I found her lying round
I fell in love with the way she shone
next time I see her I’ll make her mine
leave me broke
take my breath
away and keep it close
a dream of Penny


Francesca Albini
Francesca's artwork sits on a  brick wall at #unsettledgallery No.3 near London Bridge. The #unsettledgallery is a gallery which includes, railings and gates, as well as spaces between bricks, in gullies and beside drainpipes - basically anywhere an artwork can rest and be seen by the public. Placing original artworks in these everyday public spaces sharpens our appreciation of our environment and brings into focus the context of the art object.


Francesca Albini divides her life between literary and artistic endeavours. She is a PhD in Classics, and has worked in publishing for her entire adult life, as a translator, author and editor. She is a self taught artist and photographer. Her work is inspired by folk art, but also by design. Albini is a collector of memories, and uses any medium that allows her to remember and share, express feelings and narrate stories. From line drawings to plastic cameras, from collage to upcycled jewellery and dolls. "My work is playful and dreamy, child-like but also philosophical. I fall in and out of love with many styles and tools, but I'm always me, whatever I do."

Ed Arantus is no stranger to art and writing, he first published his work in the Censored Zine (July 2010) and has exhibited his work ever since at venues like the Contemporary Arts Research Unit in Oxford (2014). Last year he exhibited his poem 'Google If' at the Museum of Futures as part of the Enemies Project.

Don't forget to submit to our next exhibition. The Art of Caring is accepting submission until the 7th



Wednesday, 6 February 2019

Lesley Cartwright - Love Tokens and Bad Pennies


Lesley Cartwright Bad Penny

Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.


Art - Lesley Cartwright / Words - Francesca Albini 

Fragile, ephemeral, trickster,
Shape-shifter,
With a hint of a smile
You tell me, 

It’s not all as it seems. 

Lesley Cartwright's Bad Penny at the
 #unsettledgallery Walthamstow

Lesley's Bad Penny sits on a plinth in Wood Street Plaza, which was revamped a few years ago to contain a series of water fountains for children to play in during the hot summer months and a bespoke adventure playground for the local children and young people. More recent developments have seen new flats built on the site, just one of the many building projects in the area. It remains to be seen whether the latest incarnation of the Wood Street Plaza will continue to provide a play space for children.


Lesley Cartwright was born in Liverpool but later moved to Essex to run a Hostel for homeless teenagers. She made her name in the commercial graphic field and music photography until she developed MS and now paints portraits from her Billericay studio. Cartwright is a multitalented artist who is not bound by genre nor convention. Cartwright has been exhibiting with CollectConnect since the Cardboard City exhibition in 2013.



Francesca Albini divides her life between literary and artistic endeavours. She is a PhD in Classics, and has worked in publishing for her entire adult life, as a translator, author and editor. She is a self taught artist and photographer. Her work is inspired by folk art, but also by design. Albini is a collector of memories, and uses any medium that allows her to remember and share, express feelings and narrate stories. From line drawings to plastic cameras, from collage to upcycled jewellery and dolls. "My work is playful and dreamy, child-like but also philosophical. I fall in and out of love with many styles and tools, but I'm always me, whatever I do."
https://www.francescaalbini.com/

Tuesday, 5 February 2019

Francesca Albini - Love Tokens and Bad Pennies

Francesca Albini - Love Token
Does love endure forever? Does a bad penny always turn up? During this Valentine month the artists and writers from CollectConnect explore this flip-sided theme with an exhibition of 32 miniature sculptures. These objects are placed in public places (#unsettledgallery), helping us to remember those who we hold dear - or cast off those who we would rather forget. Every day throughout February we will be featuring one of these tokens/pennies on this website. A writer will also use the art as inspiration to create something new and fresh.

Art - Francesca Albini / Words - Natalie Low

Love has broken my back
So I need new ways to
Reach my destination.

Love has laid me so low
But I can still enjoy
The view from the gutter.

I have more loves to find,
More selves to re-invent,
More ways to win and fail.

It helps to remember
That love is a monster
But also a comfort.

Francesca Albini
You can see Francesca's artwork on a bridge above the River Crane next to the Mill Road Allotments  at #unsettledgallery No.11. If you can find it then you can take it home, or perhaps you will leave it for someone else to discover. The River Crane runs through the slim woodland and pasture area of Crane Park in Twickenham. It is managed to encourage wildlife, Marsh Frogs and the scarce water vole breed on the banks of the river. You can also find important industrial archaeology with relics from the Hounslow Gunpowder Works (1760s) at the western end of the park.

Francesca Albini divides her life between literary and artistic endeavours. She is a PhD in Classics, and has worked in publishing for her entire adult life, as a translator, author and editor. She is a self taught artist and photographer. Her work is inspired by folk art, but also by design. Albini is a collector of memories, and uses any medium that allows her to remember and share, express feelings and narrate stories. From line drawings to plastic cameras, from collage to upcycled jewellery and dolls. "My work is playful and dreamy, child-like but also philosophical. I fall in and out of love with many styles and tools, but I'm always me, whatever I do."
https://www.francescaalbini.com/

Natalie Low enjoys putting words on paper and believes that everyone has a book of some sort inside them. She has published two chapbooks, Dementia (2015) and School Run (2017). She also appears in this exhibition as an artist/maker.

Don't forget to submit to our next exhibition. The Art of Caring is accepting submission until the 7th April 2019. More at http://collectconnect.blogspot.com/p/submit.html

Tuesday, 6 February 2018

Year 3030 - Francesca Albini - #smallworldfutures

Francesca Albini, #unsettledgallery No.2
Small World Futures is a collection of 38 miniature sculptures depicting what life could look like in years to come. Each of these small artworks will be placed in public spaces (#unsettledgallery) around London Bridge. Every day throughout February we will be featuring one of these worlds here on the website. A writer will also use the world as inspiration to create something new and fresh, their words describing the shape of a new world.

Today we discover the Small World Future of.... Francesca Albini

Garbled message from our agents in futureyear 3030.

"beepBleep...out of terror firmer...personhandled...bare teethed...Admire us Kay admire me...stop what you're doing"

Natalie Low


Francesca Albini
You can find Francesca Albini's Small World Future at #unsettledgallery No.2, beside a downpipe on Melior Street and next to the Horseshoe Inn. If you can find it then you can take it home, or perhaps you will leave it for someone else to discover.

Francesca Albini divides her life between literary and artistic endeavours. She is a PhD in Classics, and has worked in publishing for her entire adult life, as a translator, author and editor. She is a self taught artist and photographer. Her work is inspired by folk art, but also by design. Albini is a collector of memories, and uses any medium that allows her to remember and share, express feelings and narrate stories. From line drawings to plastic cameras, from collage to upcycled jewellery and dolls. "My work is playful and dreamy, child-like but also philosophical. I fall in and out of love with many styles and tools, but I'm always me, whatever I do."

Natalie Low enjoys putting words on paper and believes that everyone has a book of some sort inside them. She lives in Twickenham, UK with her rather charming family. She has published two chapbooks Dementia (2015) and recently School Run (2017).

Sunday, 27 April 2014

Getting Ready for FAB Fridge

Dean Reddick and magnets
Submissions are now closed for FAB Fridge 2014.
We're just downloading and logging in the last few entries and I think we'll top 300 mark.
This will be the second largest Contemporary Magnetic Art Exhibition ever, so very excited about the event itself.
It's not all about quantity and this year has seen a swathe of exciting new artists join our rank with some truly inspiring artwork. Of course it goes without saying that we couldn't do this without some of our old hands too, whose devotion to the cause is uplifting.

Over the next week we'll be updating our artist lists with names and links. Then getting the images ready for the printers in 32 image sheets. These are turned into magnets and shipped back to us in May, all ready to cut up and prepared for the streets of Bath.

Over the next month we will be writing about some of our CollectConnect artists, so please keep dipping in and out.

On the 24th May we will be meeting at Bath Rail Station at 11.30am. We will then be walking around Bath placing magnets on metallic surfaces.

Francesca Albini - Chips

Follow us on Twitter - @collectconnect and @albanart
or hashtag #fab14 where we'll be posting some photos of the magnets.

Hopefully we'll be stopping for a spot of lunch and doing just what one of our new artists Francesca Albini has drawn.

Alban, Dean, Stuart and Bryan.